Cederqvist’s practice spans over film, sculpture, textiles and performance, proposing a spatial experience, embodiment and activism. Her works often suggests a layered narrative and a strong sense of transformation, as if they were in a constant making – the series of works Gestures and Gaps being a good example of this. Presently she’s working with an interdisciplinary project in many parts that explores instincts, trust and loss of control.

„Through the act of playing, and study of knowledge production, personal growth, behavioral science and the use of expectations and suspense, my on-going practice if set to manifest the importance of physical understanding and a non-rational and multi-layered communication. Inherent lies the investigation of everyday magic, meaning making, spatial drama and co-creative processes.“


Recent exhibitions/performances: Rest in the Furrows of my Skin, Kunsthaus Hamburg; Playtime - a screening program, Yorkshire Dance in Leeds; Suspension, Motifs and game, Österängens Art center, Jönköping (2016), Gestures and Gaps, Wetterling gallery (2015), HV-140 Years, HV-gallery (2014), The Cabinet and beyond – Gallery Verkligheten, Umeå (2014) Canni-Balls -in production, Ausland, Berlin (2014), Power is exercised, Bomuldsfabriken, Arendal (2013), Síndrome - Context, modes and structure, La Capella, Barcelona (2013), Excavation, Wetterling gallery, (2013), Playing with Dead things, Steinsland Berliner (2013), Sideshow - Tanz im August, Berlin (2012), Darker than Night, Casino Metropolitano, Mexico City (2010), Construction 01:12 + The Cabinet, Konsthuset, Uppsala (2011), Swedish Conceptual Art, Kalmar Konstmuseum, Kalmar (2010).

Since 2010 Åsa works as senior lecturer in Fine arts at the Textile programme at Konstfack, Stockholm. 1998-2006 she played in the band Revl9n.